The Mixed Tape


Sundance 2010 Day One by Nolan Wilson Goff

What an experience thus far! Seen some great films so far, and the vibe of Sundance is like nothing else. Ran into a few celebrities during our strolls around Park City (Samuel L. Jackson, Diego Luna, Jonah Hill). This city is a beautiful place where high and low culture join together around the common bonds of filmmaking. Looking forward to a great week. Even ran into director Jay Duplass (director of Cyrus, starring John C. Reilly) in line for Daddy Longlegs. Really great guy who encouraged me to skip his film, and see the films I can’t see in theaters.

-Nolan

Animal Kingdom (directed by Daniel Michod) review by Trevor

We arrived at Sundance 7 hours before our check in time with our group so we decided to try and catch a film. We wait listed and got tickets for Animal Kingdom, a superb crime drama following a family in Melbourne Australia. We follow the moral decay of “J” who moves in with his criminal relatives, following the death of his mother. He is a blank canvas and this new family abuses that innocence. They had a fantastic cast and it was shot beautifully. Through J’s journey, we discover that animals lie on both sides of the law. It is also an interesting examination of truth, and how humans develop truths for themselves, which may be right or wrong. Only complaints would be that the film was too long and one characters story line entirely disappeared.

(Score: 8/10)

Daddy Longlegs (directed by the Sadfie Brothers) review by Nolan

Mixed reactions resulted from this film (a product of this year’s Cannes Film Festival). Some loved it, others didn’t. I happened to love it. It’s a humorous and tragic tale of a divorced father who gets two weeks a year to spend with his kids. The father excels at being a fun dad, but fails to be the kind of parent his kids need. This film examines a tragic hero who fails despite good intentions. The performances were all stellar, and the story structure (or lack of) brings freshness to a story based on the directors’ own experiences with their father. The story sparks from how they remembered feeling in these moments, rather than their opinion of their father now. See this film if you get a chance. It should be on Video On Demand.

(Score: 7.5/10)

Obseledia (directed by Diane Bell) reviewed by Trevor

Obseledia was our second film of Sundance, and I was excited for the visuals because I knew it was shot on the RED One. The story was intriguing: a man writing the encyclopedia of obsolete things on his typewriter (Obsolete+Encyclopedia=Obseledia). He believes love is obsolete and you think this is the driving force, but then it is abandoned for a global warming presentation , before returning to the love plot. I had a chance to talk to the fantastic cinematographer afterwards and asked “Why shoot on the RED when you’re making a movie about obsolete things?” (since the film world is in this debate of film vs. digital). Unfortunately the budget didn’t allow for it, but it was visually compelling none the less.

(Score: 6/10)

Cane Toads 3D (directed by Mark Lewis) review by Nolan

Wow. During this documentary, you laugh all the way through, and by the end realize, “Whoa. I actually learned something.” The sequel in the making for 25 years, this addition embraces 3D technology to astounding success. Although I am not a believer in 3D, I am now, for nature docs.  Masterfully directed, Toads is structured using interviews and reenactment that reach levels far above your standard recreations of events. The director asked each person to play a character of themselves (rather than just their normal self) to further the effect of the storyline, which resulted in hilarious moments from beginning to end. I would now consider myself a semi expert on Cane Toads, as the doc proved extremely educational, and presented both sides of the argument without bias. The film turned the toads into lifelike characters with real life emotions, using established eye lines and musical cues. I highly recommend this Australian documentary.

(Score: 8/10)

Up Next For Us:

  • The Dry Land (starring America Ferrera, Ryan O’Nan)
  • Buried (starring Ryan Reynolds)
  • Douchebag (directed by Drake Doremus)

Should be a great day tomorrow!




The Road. by Nolan Wilson Goff

Last night we had the chance to catch a pre-release screeening of The Road, starring Viggo Mortensen. Following the screening, Viggo, director John Hillcoat, and screenwriter Joe Penhall participated in a Q&A, which brought further clarity to the film.

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The Road is the best film of 2009 (so far), in large part due to its emotional density and characters. The film has its flaws, but no other film (The Lovely Bones, Invictus, and Brothers could be exceptions) will reach the emotional levels of The Road.

There is no way we can discuss the density of Cormac McCarthy’s masterful story in just one post.

Therefore, over the next week we will take an in depth look at the various astounding elements of The Road.

First up: The Characters of The Road – The Man, The Boy, and The Earth

– Nolan Wilson Goff

p.s.

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Trevor snuck a picture of Viggo, from the 3rd row.